If you’ve been enchanted by the magical world, then you’ll appreciate these songs. They speak to the feminine side of life and are empowering for those who feel held back. Plus, they are a great way to rock out.

‘Broken English’

“Broken English song about Witchcraft and Vooda” is a song about the occult. Its imagery of a witch’s hat and medieval music make it appealing to children and adults who appreciate medieval history. But it also contains some controversial lyrics.

Faithfull’s voice is raspy and deep. The lyrics describe his struggles with drugs, alcohol, and homelessness. This is perhaps Faithfull’s most personal song on the album. Though it failed to chart in the U.S., it did reach the top 40 in other countries.

The lyrics are not particularly sexy, but they’re still very creepy and edgy. While the song is not explicit about Witchcraft, it’s a great song to dedicate to black magic babes on Halloween. “Witchcraft Song” is also sympathetic to many women accused of witchcraft throughout the ages. The song begins with a chorus of voices urging the witch to wake up, and goes on to describe a story of a witch being saved from drowning.

Another Broken English song about Witchcraft and Voodono is “The Devil’s Dance.” It’s a song about a man who realizes that his girlfriend is mad at him because he’s dating another woman. The song also describes a witch terrorizing a small town. The townspeople are scared of the witch’s powers, but ultimately stand up for their values and chase the wicked witch out of town.

‘Wicked Annabella’

The song ‘Wicked Annabella’ by the English rock band the Kinks is a psychedelic tale of witchcraft and voodoo. The song was written by Ray Davies and recorded by the band in July 1968. It features Dave Davies on lead vocals and employs darker tones than the rest of the album. Many critics have described the lyrics as reminiscent of a dark fairy tale, as they depict a witch who lives in perpetual midnight and preys on children.

‘Wicked Annabella’ was originally released on the second side of the album. Pye released it in Scandinavia on 9 October 1968 and in the UK on 22 November 1968. In the September 1968 New Musical Express, Keith Altham described the song as Davies’ ‘turn to shine’.

The song has inspired many covers over the years, including one by Screamin’ Jay. The song is spooky and eerie and is a great choice for Halloween parties. The song was also a Frank Sinatra standard. However, it is Robert Smith’s cover that is the most magical and wacky rendition of the song. The song also features an iconic duet between the two lead singers.

The song is full of mystical imagery and features a witch and a vampire, and even mentions the execution of a witch. It was also featured in the first season of American Horror Story.

‘Which Witch’

Songs about witchcraft and voodoo are common in popular culture, from spooky Halloween tunes to songs about the Salem witch trials. The songs often feature a witch, who is convicted of practicing the occult, and the punishment she receives for doing so. These songs often depict a witch being burned at the stake or persecuted.

Although some songs are scary, many have a happy side. One example is a song by British pop group Little Mix about a mysterious potion. Another song mentions black magic and refers to a full moon and warnings of ghouls and reapers.

Another song about witchcraft is “Beverly Hills.” It’s said to be about a witch in a brothel. It has since become a witchy classic and has been incorporated into American Horror Story’s Coven series. The song was originally recorded by Joan Baez in 1933 and Bob Dylan recorded early versions of it.

The genre of songs about witchcraft has been popular for centuries, and has inspired some of the greatest songs in popular culture. From classic rock to modern pop, witch songs have always captured the human imagination. Listen to the songs by modern artists exploring all facets of witchy life.

The WGN series “Salem” is a must-see for witch fans, and this song is a hit for Halloween parties. The lyrics about a witch’s power over a man are quite sensual and the song’s rhythm is entrancing.

‘Sisters of the Moon’

It was a tumultuous time for witchcraft and voodoo, and the Salem Witch Trials were no exception. Those accused of witchcraft were tied up and thrown into rivers, and rocks were used to weigh them down. The belief was that their death would prove their innocence. The song was a smash hit, and it has since been covered by a number of artists.

The song was a response to Nicks’ own feelings about herself. While she claimed to be a practicing witch, she eventually stopped practicing it and instead put all her energy into her music. The lyrics were a reflection of her unrecognizable self.

The album consists of thirteen songs, each one showcasing different characteristics of famous witches. The songs celebrate the power of the feminine energy. The album can be purchased at your favorite music retailer or on music streaming services.

Voodoo practices have a deep historical connection to Louisiana. During the slave trade, people from West Africa and the sub-Saharan countries brought their beliefs and practices to the South. As a result, their beliefs and practices were adopted into Catholic rituals. This led to the evolution of modern day Voodoo.

Fleetwood Mac is another rock band with a strong connection to witchcraft. The lead singer, Stevie Nicks, wrote a song about a Welsh witch and the Prince of Darkness. The song was released on the Blizzard of Ozz album in 1980.

‘Sisters of the Moon’ by Queens of the Stone Age

The self-titled debut album from Queens of the Stone Age was the band’s last album without the late bassist Nick Oliveri. The band’s strongest moment is “Little Sister,” which runs just under three minutes, but is buoyed by a repetitive guitar lick and cowbell-like jam block. But the song doesn’t sound like it has been honed over many years – it comes across as a commercial Trojan horse.

The song was written by Stevie Nicks and originally released in the United States as the fourth single from Tusk. It peaked at number 86 on the Billboard Hot 100. The song was not released in the UK, where it was replaced by “Not That Funny.” However, it has since been included on several compilations and remastered editions of Tusk.